Lionsgate Films/Logo Variations

From the Audiovisual Identity Database, the motion graphics museum

Revision as of 18:46, 13 October 2023 by Oden4 (talk | contribs)


These are the logo variations seen throughout the years by Lionsgate Films, with more to be added overtime.

American Psycho (2000): The logo fades to white.


The Punisher (2004, US version): After the logo is done, the logo turns into red with the text in black and it segues into the 2002 Marvel logo, just like the Columbia TriStar Film Distributors International variant.


Reservoir Dogs (2006, video game): The word "LIONSGATE" is on a white background with the letters in black.


Punisher: War Zone (2008): The logo plays as usual, but at the end, it shakes violently, then gets torn away, segueing into the Marvel Knights logo.


Gamer (2009): The logo is faster than usual and only the sounds of the gears are heard. Instead of the normal fanfare, the opening theme is heard.



Alpha and Omega (2010): The logo is cut to its final few seconds, when the door opens.


Much Ado About Nothing (2013): The logo is in black and white.


Blair Witch (2016): The logo is taped on a camcorder and glitches throughout.


Hellboy (2019): The logo starts normally, but when its nearly complete, it turns black and white.


Midway (2019): The logo turns into a filmed version of itself, and turns sepia. The music is also changed to make it sound like it was made in the 1940s/50s.


American Underdog (2021): The logo is under a layer of CMBR.


Moonfall (2022, US release): The logo is in B&W static and alternates between the opening of the movie, which is the Apollo 11's launch in the same effect as the other opening logos.

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