Daiei Film

Background
Daiei Film Co., Ltd. (大映映画株式会社) was a Japanese film studio. Originally founded in 1942 as Dai Nippon Film Co., Ltd. (大日本映画製作株式会社), it was originally formed from a merger of Shinko Kinema, Daito Eiga and the film production arm of Nikkatsu, as a product of Japanese government efforts to reorganize the film industry during World War II. In 1945, Dai Nippon Film was renamed to Daiei Film Co., Ltd., and in 1947, the relationship with Nikkatsu was dissolved.

It was a major studio during the Golden Age of Japanese cinema. It went bankrupt in 1971; in 1974 it was bought by Tokuma Shoten; and in 2002 was sold to Kadokawa Shoten and renamed Kadokawa Daiei Motion Picture Co., Ltd., later Kadokawa Pictures.

(1942-1945)

 * -|Images=


 * -|Videos=

Logo: We see a large emblem which consists of two circular outlines with a triangular cut on the bottom, as well as "映" on the top. Then, the company name zooms in from the center of the emblem, arranged like so: 株映大 式画日 会製本 社作‎ ‎ ‎ ‎ The emblem then fades out, leaving the company name.

Technique: Camera-controlled animation.

Music/Sounds: The opening theme of the movie or none.

Availability: Found on early Daiei films such as Shinsetsu, Tiger of Malaya, and In this way God's wind blows.

1st Logo (1945?)
Logo: Same as before, except the text now reads "大映製品" (reading right to left).

Technique: Camera-controlled animation.

Music/Sounds: Unknown.

Availability: Unknown, this was seen on a logo history video made by Daiei themselves.

2nd Logo (1945-1949)
Images=  File:Daiei logo (1945-1949).png File:Daiei logo (1945).png File:Daiei Film (1949).jpg Videos=

Logo: On a night sky background with sparkling stars, the Daiei emblem fades in. The stars fade into clouds that scroll upward. "大映映画株式會社製作" (reading right to left) then zooms in from the emblem and slides down.

Technique: Cel animation.

Music/Sounds: A custom fanfare.

Availability: Seen on films from this period such as Kitsune no kureta akanbô (狐の呉れた赤ん坊) and Tengu hikyaku (天狗飛脚).

3rd Logo (1950-1952)
 Images=

Videos=

Logo: On a textured stone background, we see the Daei emblem carved out of stone. "大映映画株式會社製作" is also carved, protruding below the emblem.

Technique: None.

Music/Sounds: A custom fanfare or none.

Availability: Very common; in addition to appearing on films released from this period (such as Kojiki Taishō (乞食大将) and Gorotsuki-bune (ごろつき船), this logo has been used to plaster the Dai Nippon Eiga logo. Current prints of several Dai Nippon Eiga-era films such as Kurama Tengu (鞍馬天狗) and Iga no suigetsu (伊賀の水月) include this logo instead of the Dai Nippon Eiga logo.

4th Logo (1953-1958)

 * -|Images=

Videos=

Logo: On either a smooth or a patterned background, we see the Daiei emblem in white with the company name "大映映画株式會社製作" below. The logo is being lit from the left.

Variants:
 * On early color films, the background is cream-colored, the outer part of the emblem is in blue, the inner part of the emblem is in turquoise, and the "映" character is in a white-red gradient color. The text remains white. On Gate of Hell, the background is smooth, while on Princess Yang Kwei Fei, tje background is patterned.
 * On films in DaieiScope, the patterned background version of the logo is shown in widescreen. The logo then crossfades into a screen with the DaieiScope logo.

Technique: None.

Music/Sounds: A custom fanfare.

Availability:

5th Logo (1953, 1956)
Logo: The Daiei emblem and company name "大映映画株式會社製作" in white are suspended over a rocky background similar to the previous logo.

Technique: None.

Music/Sounds: A custom fanfare.

Availability: Seen on at least two films: The Wild Geese (雁) and Punishment Room (処刑の部屋).

6th Logo (1955-1957)
Images=

Videos=

Logo: On either a blue-orange (for earlier films using this logo) or a cream-orange gradient background (for later films using this logo), we see the Daiei emblem in a light cream color. The company name "大映映画株式會社製作" then pops up under the emblem.

Technique: Cel animation.

Music/Sounds: A custom fanfare.

Availability: This was seen on films from the period such as Shin Heike Monogatari and Zenigata Heiji torimono hikae: madara hebi.

7th Logo (1956-1961)
Logo: On a blank background (either black, red, or blue), we see the Daiei emblem in white. Below is "大映株式会社製作".

Variants:
 * On DaieiScope films, the logo was in widescreen.
 * On Floating Weeds, the logo is in-credit.

Technique: None.

Music/Sounds: The opening theme of the movie.

Availability: Uncommon, bordering to very rare. It's seen on early films from the company.

2nd Logo (1960-August 3, 2002)
Logo: We see the logo and text from before above the clouds as the sun rises, illuminating everything. After Tokuma Shoten acquired and re-established Daiei, "製作" is removed from the text, rendering it as simply "Daiei Co., Ltd.".

Technique: 2D animation.

Variants:
 * The size of the emblem can be vary, mostly medium size on scope films and larger size on Academy ratio films, like Being Two Isn't Easy (1962).
 * A black and white version exists.

Music/Sounds: The opening theme of the movie or none.

Availability: Rare.
 * Can be seen on every film (excluding early ones) produced from the company, including the famous Rashomon, and Ju Dou. It is also seen on later films before the defunct production company's like Pulse and Akira Kurosawa's Dreams.
 * Example of the 1960's and early 1970's Nagata-era titles include Tokyo Onigiri Musume (1961), An Actor's Revenge (1963), Typhoon Reporter (Fūsoku shichijūgo-mai) (1963), The Black Trademark (Kuro no shōhyō) (1963), The Black Parker (Kuro no chūshajō) (1963), Shibire kurage (The Numbness) (1970), the Gamera film series, and the Zatoichi film series.
 * The Tokuma-era films that was distributed or produced by Daiei is scarce; it was seen on Kinkanshoku (1975), Kimi yo Fundo no Kawa o Watare (1976), and Gamera: Super Monster (1980).
 * It was seen on some current prints of several classic films that plastered the first logo, including Criterion Collection DVD prints of Rashomon (1950), The Loyal 47 Ronin (1958), Nuregami kempō (1958), Nichiren and the Great Mongol Invasion (1958), and Hebihime sama (1959).