New Line Cinema/Trailer Variations

These are the logo variations seen on trailer throughout the years by New Line Cinema, with more to be added overtime.

The Mask (1994): The blue glow around the box and filmstrips has a somewhat purple tone to it.

New Line Cinema (1994)

Dumb and Dumber (1994): The 1987 logo is darker than normal and has a somewhat white tone to it. Only on the theatrical trailer. The actual movie would be the first to use the second variation of the 4th logo.

New Line Cinema (1994)

Seven (1995, New Line Home Video): The New Line logo is huge with "NEW LINE HOME VIDEO" in one row. This was used on a trailer for the Platinum Series DVD release of the movie, which can be found on the VHS release of The Art of War (2000).

New Line Home Video (Seven DVD)

Dark City (1998): The logo is tinted in pistachio color and placed on a nighttime sky.

Logo Variations - New Line Cinema - CLG Wiki

Little Nicky (2000): The filmstrip is covered with fire and the glow turns hellish red. Only on the teaser trailer.

New Line Cinema (Little Nicky, 2000)

The Cell (2000): On the teaser trailer, the glow surrounding the logo is gold.

New Line Cinema - The Cell (2000)

On the theatrical trailer, the logo gets messed up a bit, eventually adding footage that has a New Line Cinema-like background with huge filmstrips zooming out.

New Line Cinema - The Cell (2000)

Sugar & Spice (2001): A blonde cheerleader is seen within the logo.

[Untitled]

15 Minutes (2001): The logo is recorded on a video camera.

New Line Cinema- 15 Minutes" trailer variant (2001)

Jason X (2001): The logo flies off to space.

Logo Variations - New Line Cinema - CLG Wiki

Austin Powers in Goldmember (2002): The logo is in a urobilin color.

Logo Variations - New Line Cinema - CLG Wiki

John Q (2002): A video featuring some flames burning is seen within the logo.

New Line Cinema - John Q (2002)

Cheats (2002): The logo is written on a chalkboard.

Logo Variations - New Line Cinema - CLG Wiki

Friday After Next (2002): The logo is in a green/bright red color scheme.

New Line Cinema (Friday After Next, 2002)

Highwaymen (2003): The logo is static and rumbles real fast. Also, the logo is sped up and animates in reverse.

New Line Cinema - Highwaymen (2003)

Elf (2003): Same as the movie itself, but with the AOL Time Warner byline.

New Line Cinema - Elf (2003)

Final Destination 2 (2003): The logo is on a blue aurora background.

New Line Cinema - Final Destination 2 (2003)

Cellular (2004): The logo is printed on a black-colored steel sheet with bullets.

New Line Cinema - Cellular (2004)

Blade: Trinity (2004): Same as the movie itself, but the logo reverses in warp while Blade appears behind on the logo before he jumps off.

New Line Cinema - Blade: Trinity

Final Destination 3 (2006): The logo is on a blue smoke background.

New Line Cinema - Final Destination 3 (2006)

Shoot 'Em Up (2007): The black print logo is on a platinum red background.

New Line Cinema - Shoot 'Em Up (2007)

Love in the Time of Cholera (2007): The logo is red once again.

New Line Cinema - Love in the Time of Cholera (2007)

Sex and the City: The Movie (2008): The logo is tinted in fuchsia.

Semi-Pro (2008): The logo is styled like a disco ball.

New Line Cinema - Semi-Pro (2008)

Journey to the Center of the Earth (2008): The whole logo is in white & olive-gold with a crack on the filmstrip and put on a bistre background. Also, pieces zoom from the filmstrip.

New Line Cinema - Journey to the Center of the Earth 3-D (2008)

Four Christmases (2008): The whole logo is red and on a white background. This was only on a TV spot.

Logo Variations - New Line Cinema - CLG Wiki

He's Just Not That Into You (2009): The glow behind the 1994 logo is removed. Also, the box and ladders are in 2D and the logo is sky blue except for the text.

New Line Cinema - He's Just Not That Into You (2009)

The Final Destination (2009): The whole logo is in white with blood covering the filmstrip and put on a smokey navy blue background.

New Line Cinema (The Final Destination)

Sex and the City 2 (2010): The logo has a fashionable look with shining. Seen on the trailer. On the film itself, the logo is exactly like in the trailer, but it animates like the 2003 logo.

New Line Cinema (2009)

The Rite (2011): The logo has a teal light and is covered with writings.

New Line Cinema (2010)

Final Destination 5 (2011): The logo is made out of metal and is put against a gray cloudy background.

New Line Cinema (2011)

Horrible Bosses (2011): The logo is blue and is put on a white gradient background.

New Line Cinema (2011)

A Very Harold and Kumar Christmas (2011): Same as the movie itself, but the text doesn't turn white.

New Line Cinema (2011)

New Year's Eve (2011): The logo is metallic with orange outline and it has lightsparks.

New Line Cinema (2011)

Rock of Ages (2012): The logo is light blue.

New Line Cinema (2011)

On the second trailer, the logo is cream with a purple glow behind it as it zooms in.

New Line Cinema - Rock of Ages Variant 2

Jack the Giant Slayer (2013): The logo looks something like concrete or paper.

New Line Cinema (2011)

The Conjuring (2013): The logo is silvery over a thunder background.

Logo Variations - Trailers - New Line Cinema - CLG Wiki

If I Stay (2014): The logo is silver-blue and shares space with WB and MGM logos.

Logo Variations - Trailers - New Line Cinema - CLG Wiki

San Andreas (2015): The logo looks metallic.

Logo Variations - Trailers - New Line Cinema - CLG Wiki

Those Who Wish Me Dead (2021): The print logo is superimposed on a hilly background.

'The Many Saints of Newark (2021): The print logo (in white) is on a black background.

8-Bit Christmas (2021): The filmbox is red and white, while the company name is blue, with the byline in white. Pixelated snowflakes fall on the logo.

Moonshot (2022): The print logo is colored in orange, and appears on a nighttime background, where it glows as it slowly zooms out.

Don't Worry Darling (2022): The logo is tinted in white/sepia, is on a black background with a blurred light behind it, and flashes in and out. This is also the first time that the 2019 WarnerMedia byline is absent.