Cinemax Feature Presentation

1st Bumper (August 1, 1980-March 1985)
Visuals: On a dark blue background with a black CGI floor, the camera turns counter-clockwise to show some rainbow "fireworks" exploding. The fireworks eventually form the then-current CINEMAX logo, which has the words "CINEMAX" in light blue, enclosed inside a blue oval. As the background turns to black, it zooms away and more fireworks begin to form "Feature PRESENTATION". "Feature" is pink and is slanted upward and "PRESENTATION" is in a rounded blue font. It begins to zoom away and gets dissolved by more "fireworks".

Variants:
 * There were several variants for specific blocks and programming, and in these cases the "fireworks" would be modified to create "Special Presentation" (in the style of the normal FP version), "Action-Adventure Theater", "Movie Greats", etc.
 * There was a extended version of the open that showcased clips from films, before panning out to reveal a camera, which in turn reveal the words "Feature Presentation" (or any other text) at the end.

Featured Clips:
 * First Variant:
 * Patrick
 * Battle Beyond the Stars
 * Flash Gordon


 * Second Variant:
 * Force Five


 * Movie Classic Variant: Unknown
 * Morning Movie Variant:
 * Madame Rosa
 * Patrick

Technique: Analog computer animation.

Audio: A dramatic orchestral fanfare.

Audio Variants:


 * The "Action-Adventure Theater" variant changes into a different orchestral fanfare once the logo disappears.
 * The "Morning Movie" variant changes into a slower orchestral fanfare.
 * The extended version has a synth drone when the camera moves, leading into a shortened and rearranged version of the fanfare.

2nd Bumper (February 1985-December 1987)
Visuals: We pan across a wall where we see a movie poster unfurling in a frame. We zoom into it and first we see an asteroid firing in outer space where the word "THRILLS" in blue/white zooms out and turns to face the camera. We then "unfurl" to a person's arms struggling to hold to a rope that's about to break and eventually falls. The word "SPILLS" wipes onto the screen. Then we unfurl to see a monster's hand rise up from a graveyard, where the green word "CHILLS" appears in a monster-like font. And finally, another unfurling, to a man and a woman laying down and beginning to make love where the word "Romance" in a pink, cursive font draws itself onto the screen. Then we unfurl again, then zoom-out on a black background where we see the Cinemax logo in a shade of blue and pink plastered on a series of lights. The red/orange word "Movie" zooms-out in a stylized font and appears below.

Variant: In the early days of this intro, an additional section was present: Instead of the "Romance" section revealing the end result, it would instead peel to reveal live action footage of a man in a barbershop, having his hair blow-dried, until it blows away as it's a toupee; the multicolored words "COMEDY" emerge from the drier and plaster themselves to the bottom of the screen. Another unfurling would then reveal the end screen. According to some YouTube comments, this was only used from the intro's first usage in February of 1985 (where it alternated with the first intro), until (from video evidence) April of 1985.

Technique: Live-action, combined with computer animation.

Audio: A synthesized, heroic-like fanfare. The earlier version had a vaguely similar tune.

3rd Bumper (December 1987-1994)
Visuals: We begin in a black CGI environment with different colored circles. There is a slate. It claps and zooms-out onto a bar that moves onto the screen from the left. Another bar moves from the right, and the bars form a piece of film with a typical film countdown leader going inside it (3, 2, 1...). We zoom around the film past some abstract shapes of various colors. Some abstract cut letters spelling out the words "CINEMAX MOVIE" float past the screen. We begin to rotate and zoom in on the abstract "E" in "MOVIE" (which is a square with two yellow triangles) which splits apart into a purple marble square on the bottom, a wooden square in the middle, the  square and yellow triangles on the top which float off the screen. We pan along the wooden square which turns out to be a wooden palette with color test patterns where the paint would be. Zooming out, we see parallelograms with the letters "c i n e m a x", which are italicized as well (ala the old BBC logo), zoom in onto the palette from the right. The abstract cut letters for the word "MOVIE" (except for the "O" which is the finger hole in the palette) come down from the top of the screen and plaster themselves onto the palette. Now, we see the entire palette. An invisible light shines back and forth on the Cinemax logo, and the letters in "M VIE" begin to sway back and forth. Small multicolored particles move from the left of the screen and travel behind the palette.

Technique: CGI from Pacific Data Images.

Audio: Originally, a "new age" score was used. On April 1, 1988, an 80's synth/electric guitar score was introduced, and alternated with the "new age" score.

4th Bumper (1994-1997)
Visuals: There is an old-style movie countdown, which starts at 7. The film it's printed on flies down to a giant bucket of popcorn with popcorn flying out of it, and forms a staircase. Dot-like candy hops down the stairs. We pan over to see various golden ushers. One of them walks out onto a film canister, holding its flashlight. We fade to the usher and film canister levitating in a dark vertical tunnel. It points its flashlight to the right, which is an area full of filmstrips. We rapidly zoom past the strips, until we encounter the Cinemax logo, in purple and reversed, split into pieces. They slide into place as multicolored light refracted from the filmstrips rushes towards them. The camera turns around, to reveal the logo in, in its normal state, and in the theater environment, with the yellow words "THE" and "MOVIE" above and below it, respectively (The closest typeface to them is probably Neutraface Condensed, though that would not exist for ten years). There are spotlights shining on the finished product, and purple filmstrips behind it.

Variants: There are five shorter versions:


 * The logo begins with the staircase forming, and fades to the finished logo at the bottom of the staircase.
 * The logo begins with the candy hopping down the stairs, and fades to the finished logo after the usher walks out.
 * The logo begins with the hallway of ushers, and fades to the finished logo as the usher shines its flashlight toward the screen.
 * The logo begins with the usher in the dark environment, and fades to the finished logo after the last filmstrip.
 * The logo begins with the usher pointing its flashlight, and the rest of the animation is played normally.

Technique: CGI.

Audio: A majestic fanfare with some strings, orchestra hits and piano (which is actually the first instrument heard in the long version).

Final Note
After this bumper was retired, Cinemax stopped using "Feature Presentation" logos and began opening movies using a "Next on Cinemax" bumper instead.

1st Bumper (1985-1994)
https://www.youtube.com/watch?v=4OlxWesxN88

Visuals: We fade in and pan down an Art Deco-style building, with searchlights waving all over the place. At the bottom of the tower, various Art Deco-style people are present, and as the camera zooms in, some of the people move and a car rolls up. We cross-fade to an entryway presumably in the building, and we zoom in through that to reveal silhouetted female dancers dancing inside a strange rounded structure (a reference to The Gold Diggers of 1933). We zoom into the center as sideways images of two of the dancers wipe across the screen, and a large yellow and white theater marquee with the words "CINEMAX CLASSIC COLLECTION" inside and a circular backing with multiple points behind it zooms down. The tower from the beginning rises up behind it and searchlights wave behind and around the end product.

Technique: CGI, with some 2D elements.

Audio: A piece incorporating jazz and piano.

2nd Bumper (1986-1994)
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Visuals: On a black background with multiple colorful abstract shapes, we see four palm trees with triangular bases. The camera moves down and the palm tress bend to the right. A segment of filmstrip with a drawn star raises up behind them and the camera zooms past it. The abstract shapes at the bottom of the screen then rise up and space out. The camera zooms back through a orange cylindrical object, revealed to be a megaphone, on a platform next to a director's chair. The platform spins around to reveal the Cinemax logo at the top (with purple and vertical stripes behind it) and "DIRECTOR'S CHAIR" in yellow, with the words in different fonts and a blue line separating them, beneath that. The whole thing resembles a film clapperboard, and it shines.

Technique: CGI by Pacific Data Images.

Audio: A rock music score.

3rd Bumper (1988-1994)
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Visuals: There is an animated man, with a larger-than normal, constantly grinning head, driving his Studebaker in a suburban neighborhood. As he drives, he passes a billboard with a skinny man and fat woman with the word "BEFORE" next to them and "CINEMANIA" atop it. After passing it, the people spin around cartoonishly, the woman becoming skinny and the man hunky, with the word "AFTER". They look out in surprise at the driver. We cut to a billboard reading "ALWAYS USE CINEMANIA", pointing to a large spray bottle marked with the name "CINEMANIA" that looks strangely like a 1950s biker, mixed with a spray bottle and a 1950s taxi. He attempts to spray the driver, but instead sprays a nearby house with an angry face. The spray takes effect and the house begins to look "happy" as plants and flowers spring up all around it. There is the driver in a relaxed pose passing by trees. He comes to a halt next a billboard reading "Watch" with a fedora-clad man and an old movie projector. The projector activates and begins showing old black and white movie clips on a large movie screen supported by two female statues as searchlights wave behind it. The driver then busts through the screen (much to the surprise of the statues). He lands the car on a giant letter "C", which is floating in the sky next to the words "INE" and "MANIA". The driver moves to the bottom of the "C" and waves at us.

Technique: Cel animation, likely with motion-control effects as well.

Audio: A catchy boogie song with chorus scatting.