Legendary Pictures

Background
Legendary Pictures is an American film production and mass media company based in Burbank, California, founded by Thomas Tull in 2000 after raising $500 million from private equity firms. It was one of the first companies of its kind to pair major motion picture production with major Wall Street private equity and hedge fund investors.

In 2005, the studio signed an agreement with Warner Bros. Pictures to co-produce and co-finance up to 40 films over seven years. In July 2013, Legendary reached an agreement with Universal Pictures in which it would market, co-finance, and distribute the studio's films for five years starting the following year, after their similar agreement with Warner Bros. expired. On January 11, 2016, Chinese conglomerate Wanda Group announced that it had concluded an agreement with shareholders to acquire the studio for $3.5 billion, making it the largest acquisition of an American media company by a Chinese firm.

On August 13, 2018, following the box office failure for many of their recent films, the distribution deal between Legendary and Universal ended the following year (although the two companies would later collaborate on the short-lived Debris through their television divisions in 2021) and a new agreement was reached to return to Warner Bros. Pictures later on.

1st Logo (November 17, 2005-February? 2006)
Nickname: "The Sword", "The Lost Legend"

Logo: We see a forest above a lake, all obscured by clouds. As the camera zooms in, a sword fades in with the words "LEGENDARY PICTURES", in a majestic font, in front of it.

Variants:
 * Sometimes, the logo is still.
 * Early trailers for Superman Returns have a black background.
 * Early trailers for Lady in the Water have water with the sky reflecting off of it in the background.

FX/SFX: The sword zooming in.

Music/Sounds: The sound of wind followed by a majestic fanfare, or the trailer's opening theme.

Availability: Rare.
 * This was only seen on the first trailers for Superman Returns, Lady in the Water, and The Ant Bully.
 * Despite the logo being fully animated, it was pulled almost immediately and replaced with the next logo before usage on any of their films. However, this does appear in print form on promotional material for Batman Begins, their first film.

Editor's Note: It's a nice-looking logo, which makes it all the more confusing and disappointing on why it was pulled so quickly before showing up on any films.

2nd Logo (June 28, 2006-October 16, 2009)
Nicknames: "The Celtic Knot", "The Golden Celtic Knot"

Logo: Against a black background, we see an extreme close-up of a flame shooting downward. The camera pans back, and several more flames shoot across, eventually revealing a series of intertwining lines (resembling a Celtic knot) and the words "Copperplate" below it.

FX/SFX: The flames, which are really well done. This was designed by Picturemill.

Music/Sounds: The sounds of fire accompanied by a violin/piano-like sound composed by Walter Werzowa.

Availability: Common. Can be seen on films produced by the company such as Superman Returns, The Ant Bully, and 300. The last film to use this logo was Where the Wild Things Are.

Editor's Note: This is a very neat logo, and is well remembered for its unique concept.

3rd Logo (April 2, 2010-July 12, 2013)
Nicknames: "The Celtic Knot II", "The Fiery Celtic Knot"

Logo: Same as the previous logo, except the text flies in from the lower-right corner of the screen word-by-word, the logo looks grungier than before and moves from right to left, and some sparks appear in the background throughout.

Variant: On later films from the studio starting with Jack the Giant Slayer, the word "Copperplate" is removed.

FX/SFX: Same as the previous logo, but with even better animation. This was done by yU+co in association with Picturemill.

Music/Sounds: Same as before; but with a triumphant fanfare this time around, composed by Hans Zimmer.

Availability: First seen on Clash of the Titans. Also seen on Jonah Hex, Inception, The Town, Due Date, the last Hangover films, The Dark Knight Rises, Jack the Giant Slayer, 42, and Pacific Rim.

Editor's Note: This is a nice improvement over the previous logo, and the majestic triumphant fanfare really showcases this.

4th Logo (April 24, 2014-April 12, 2019)
Nicknames: "The Celtic Knot III", "The Celtic Knot In Space"

Logo: Same concept as the previous two logos, but the streak is, everything is against a space background, the logo is , and the view moves 180-degrees clockwise.

FX/SFX: The streak and the view moving, all done in nice CGI.

Music/Sounds: Same as before, but with the ending note extended to fit with the length of the logo. Starting with ''Mamma Mia! Here We Go Again'', it uses a triumphant theme composed by Frank Ilfman, with the full version getting eventually released on YouTube by Ilfman himself.

Availability: First seen on the trailer for As Above, So Below. The fully animated version debuted on Godzilla and last appeared on Little.

Editor's Note: Another improvement on the original 2006 logo, once again reflected with a really nice and epic theme.

5th Logo (May 7, 2019-)
Nicknames: "The Celtic Knot IV", "The Infinite Celtic Knot"

Logo: Similar to the last logo, but the streaks on the Celtic knot are now. We also see a trail of infinite Celtic knots before zooming out of the logo as it forms and the other knots disappear. The logo retains its color from before, now with a  trim, while the name is in a metallic sans-serif font. The background has also been changed from a space one to a plain and darker blue one.

FX/SFX: The streaks, the Celtic knots, and the camera panning. It's all done in amazing CGI from yU+co, who solely designed it here, unlike the 3rd logo.

Music/Sounds: The same Frank Ilfman theme as the last logo.

Availability: Current. While its theatrical debut was on Pokémon: Detective Pikachu, the logo technically debuted on an official joke video uploaded to YouTube on May 7, 2019, before the movie's official release. Also seen on films such as Godzilla: King of the Monsters, Enola Holmes, Dune and Fresh.

Editor's Note: This is an exceptionally well-done logo, even if it could have more potential, and is a worthy successor to the previous logos.