American Public Television

Background
APT was founded in 1961 as the Eastern Educational Television Network (EEN), distributing public TV shows such as The French Chef, Mister Rogers' Neighborhood, and Washington Week to public television stations on a regional basis, and then nationwide when NET (now PBS) was formed. They changed their name to Interregional Program Service in the 1980s (though it still used the old name on some shows, such as Travels in Europe with Rick Steves, until 1992), became American Program Service (APS) in 1992, and changed to their current name, American Public Television in 1999. It didn't appear to use a logo until 1970, and then stopped using its own logo for nearly two decades after that.

1st Logo (1968-1975)


Logo: Against a black background, we see six overlapping circles of varying sizes. In the center is a compass with the north, west, and south arrows pointing to the innermost circle and the east arrow pointing to the outermost circle. Behind it is a seventh, smaller circle to which the four ordinal directions point. At its core is a black circle with "EEN" inside it. To the right is the text

Eastern Educational Network

in what appears to be ITC Avant Garde Gothic.

Technique: None.

Music/Sounds: An announcer saying, "This is the Eastern Educational Television Network."

Availability: Extinct, and more well-hidden than any Holy Grail-class public television logo before it, to the point where it was only discovered in 2020 on episodes of Wall $treet Week on the American Archive of Public Broadcasting. How elusive did it prove to be? The tail end of a 1975 episode of WNED's One Man Show that had it was part of a recording of WNET's Where Have All the Rebels Gone? that had been on the Internet Archive and gone unnoticed by the logo community for just over five years before being discovered the next month.

Legacy: After Wall $treet Week became a PBS program around 1972, the EEN would not use another logo for two decades, by which point it had already rebranded itself twice.

2nd Logo (1992-1996)
Logo: On a maroon background, we see the text

Times New Roman

in Copperplate, which zooms in slightly. There is a shining wipe on the text.

Variant: There is a variant which has "Times New Roman" under the text.

Technique: The name zooming in, and the "shimmer".

Music/Sounds: None. In other cases, it uses the end theme of the show.

Availability: Preserved on VHS tapes of Bloopy's Buddies and pre-1996 episodes of Computer Chronicles (which is preserved on the "Cyber Cafes" and "Macworld" episodes on the Internet Archive). It also appeared on American PBS airings of The Big Comfy Couch episodes from the era.

3rd Logo (1996-April 25?, 1999)


Logo: On a black background with 2 orange/brown squares, we the letters "Impact" in orange/brown with the words "Courier" below the letters zooming out from us, with the "Impact" slightly on top of the "Impact", a white bracket revealing the "Impact", and a black bracket revealing the "Impact". Once the letters shift into place, the words:

________ Programs For Public Television

appear below the letters "Impact", while a small flash appears above the "Impact" in the top left hand corner. Also, one of the squares disappears, leaving one square in the background, which rotates.

Technique: The animation in the logo.

Music/Sounds: A rather triumphant synth tune with snare drumroll sounds, produced on the E-mu Proteus 2 Orchestral synthesizer using the Percussion 1 (Patch #58) instrument patch.

Music/Sounds Variant: Sometimes, the logo is silent.

Availability: Rare. Was seen on 1996-1999 episodes of Computer Chronicles; a few episodes from the era on the Internet Archive retain this. Can also be seen on the final episodes of The Kidsongs Television Show on iTunes. Again, this didn't appear at all on Nightly Business Report.

4th Logo (April 26?, 1999-2010; July 25, 2014)
Logo: On a black background, we see three squares—one in the distance zooming out, one with a white outline that flips, and one with outlining. Each one is with transparent lines and watermarks of the name, close-up and in a Helvetica font. As the watermarks scroll to the right and zoom in, a outline forms another square, which appears like a CRT-TV being turned on as "American Public Television" fades in; it is in the same color and has another watermark of the name with the camera panning on it.

Variants:
 * Starting in 2000, the URL text "aptonline.org" appeared under the company's name. The first few seconds of the animation are also cut off. In more recent years, it reads "APTonline.org".
 * On The Organ Wise Guys shorts, the logo appears at the bottom of the screen with the text: "Copyright (C) (Year) American Public Television" to the left of the logo.
 * Each variant may appear in widescreen.

Technique: The squares zooming out, the watermarks on the squares, and the red outline forming. Computer animation.

Music/Sounds: Same as the last logo.

Availability: Uncommon, but when it was in use, it was basically the PBS equivalent to Sony Pictures Television. It was tacked onto the end of practically every program shown on PBS during the period, such as The Saddle Club and A Place of Our Own, as well as shows on independent public TV stations such as 2010-2019 KCET and on the digital broadcast network Create (which APT partially owns). With the logo ending in 2008 and being replaced by the 5th logo, its presence has dipped down, but it can still be found on older prints of programs on PBS. It made an appearance on the 2010 documentary Greece: Quest For the Gods. Though APT normally doesn't show its logos at the end of The McLaughlin Group, this made a surprise appearance on a 2009 episode thereof. The original 1999 variant strangely appears before the 1993 Connecticut Public Television logo on a 2014 episode of Scully: The World Show.

5th Logo (2008-February 5, 2011)


Logo: A new-and-improved version of the previous logo, with notable differences:
 * The logo is darker and seemingly quicker in pace.
 * The company name is stretched.
 * The square with "American Public Television" appears via a "wipe-in" effect.
 * "American Public Television" is in a different font.
 * There are spotlights shining over the logo.

Variant: Originally, there was no URL in the logo, but starting in late-2009, the URL text "APTonline.org" appears under the company's name.

Technique: Same as the last logo.

Music/Sounds: Same as the 3rd and 4th logos.

Availability: Scarce. Appeared on WORLDFOCUS episodes from the era. Due to its short life, it wasn't nearly as common as the previous logo. It still appears on old episodes of Doc Martin.

6th Logo (February 6, 2011-)


Logo: On a shady steel gray/ gradient background, we see the words "Times New Roman" appear in the Times New Roman font. Then, several blue/aqua/white-textured squares zoom out from the sides of the screen and the URL "aptonline.org" appears below.

Trivia: This logo was made by Zydeco Design as part of a rebrand of APT coinciding with the latter's 50th anniversary.

Variants:
 * On Doc Martin and the Legend of the Cloutie and The Whole Truth with David Eisenhower, the 4:3 version of the logo is stretched to fill the 16:9 image.
 * Sometimes, as seen on Nightly Business Report and Rough Cut: Woodworking with Tommy Mac, the logo fades in and out.

Technique: The zooming, done in modern computer animation.

Music/Sounds: A re-arranged version of the last 3 notes of the 1996 music. Otherwise, the actual 1996 theme is used.

Availability: Current and common. Seen on current prints of PBS's archival programming such as Mr. Bean and The Joy of Painting, and newer (episodes of) PBS shows such as WORLDFOCUS and Nightly Business Report, among others. The version with the normal fanfare can be seen at the end of Doc Martin, Midsomer Murders, Mystery Science Theater 3000, Royalty Close-Up, A Daring Journey: From Immigration to Education, The Reformation: This Changed Everything, Free to Rock, the fifth season of Fit 2 Stitch, and a series of 78 movies licensed from 20th Century Studios, Warner Bros., Paramount Pictures, and Sony Pictures Television (though the telefilm Doc Martin and the Legend of the Cloutie uses the later fanfare).