User:Vmoney25

=About me=

The picture from above is a picture of St. Patrick's Cathedral from when I went to New York City on December 26. From what you can judge, I love New York City. While we don't go often due to traffic and potential crime, I love seeing the New York skyline every time we go to my Aunt's house up north. I love animation, drawing, book writing, puzzles, and of course, logos (for a surprisingly long time). I have always dreamt of making descriptions on the AVID better and have thought up a multitrillion-dollar movie company called "Rocket Bunny Entertainment" (named after a car trimming company, but once called it "Planet Monkey" because that's what I thought it was) with a few other successful divisions which I will show you later.

=My favorite/not-so-favorite things=

Logos: A ton. Here are a few:

Warner Village Cinemas

Paramount Pictures

Bo Ho Films Co., Ltd. (2nd logo)

Bojon Films Company Ltd.

Go Go Film Productions

Magnum Films (2nd and 3rd music variants)

3M Video (France)

Universal Pictures (1997 logo "E.T." and "Scorpion King" music variants; current logo)

Gramercy Pictures (original)

Johnny Mak Productions Ltd.

Distribution Workshop (Film Workshop; 1st and 2nd logos)

Media Asia Group (1st logo)

StudioCanal (4th logo)

Amblin Entertainment (2nd and 3rd logos)

Reliance Entertainment (4th logo)

DreamWorks Animation (4th logo)

Walt Disney Studios Home Entertainment (2007 logo; I hate Disney but that fanfare is amazing)

THX (Broadway, Grand, Simpsons, Tex, Tex 2, Cavalcade, Bounty, Tex 3, Eclipse, Genesis; I love them now, but I remember this note scaring me s**tless as a kid)

Dolby Digital (Train, City, Rain, Aurora, Stomp, Dolbee; The "Aurora" trailer's music just has me going)

Dolby Stereo (Surround Fantastique)

Sony Dynamic Digital Sound (1st logo)

Deluxe Digital Studios (3rd logo)

Macrovision

..and many more!

Least Favorite Logos:

Team Happy Rainbow Panda Bears (..just why?)

Timpson Films (I bet the guy who made this was looking back on this and thinking about suicide.)

Fox Television Studios (That lightning scared the crap out of me when I was little.)

Zombastic Productions, Inc. (Just the thought of injecting stuff into people's eyes makes me vomit. 🤮)

Ludo Studio (I despise Bluey with the blistering intensity of Tsar Bomba wiping out the population of Brisbane. I'm still questioning my sanity when I think of this show.)

VID (ANY variant when the mask speaks; I haven't fully seen them but the thought of it makes me not want to look at them.)

Valve Corporation (I'm not scared of the logo as a whole, but I saw this YouTube video and had me scared s**tless.)

Ear Booker Productions (Why? If PhantomStrider watched this logo and saw that Weird Al made it, he would probably hate him forever and ever.)

Idiots (Imagine being in the theater watching The Bobs Burgers Movie and this logo unexpectedly comes on. Not only do you feel the urge to escape the theater because you're watching a pirated copy of it, but you also feel personally insulted at the same time.)

Scariest logo: THX (Lucasfilm Ltd. variant; Yes, I know what you're thinking: "Vmoney, don't you already have this in your best list?" but just hear me out. So, a long time ago, I have this vividly remembered moment when I was watching A Bug's Life on VHS in my oldest brother's room. After the 1991 "Feature Presentation" bumper played, I started to gain anxiety. Then, after the "Modified Screen" bumper, all hell broke loose. When the blue rectangle appeared on-screen with the descending Deep Note, I literally started screaming and pounding on his room's door for someone to let me out. But that never happened, and the Deep Note rocked the room and made me cover my ears so hard. That's why I was paranoid about the Deep Note being in my nightmares for the rest of my days. But after watching THX logos and histories, I started to become addicted to the Note, and that's how I'm a massive fan of the THX Deep Note.)

Un-scariest logos:

Screen Gems Television (S from Hell; I mean, really, these guys are just as dumb as the guys who like Bluey. S from Hell isn't scary at all and that's final.)

Viacom Productions (V of Doom; Despite the dark version being slightly creepy to me, I love this logo.)

Logo variant:

Universal Pictures/Logo Variations (The Fabelmans (2021); I love how the Amblin logo plays over the Universal logo; it looks pretty nice.)

Best logo of 2021: Metro-Goldwyn-Mayer Studios

Best logo of 2022: Orion Pictures

Best logo of 2023: MGM+ (I love how they use MGM's font.)

Favorite cartoons:

The Simpsons (Fox)

Family Guy (Fox)

The Snoopy Show (Apple TV+; seriously, why can't they just be on Netflix?)

Oddballs (Netflix)

The Loud House (Nickelodeon)

SpongeBob (Nickelodeon)

Peppa Pig (It's funny; those Bluey fans, good luck finding me)

Teen Titans Go! (Cartoon Network)

Gumball (Cartoon Network)

Least favorite cartoons:

Bluey (Disney; I'm serious, I just want to beat the s**t out of every single character when I think of this show)

ANYTHING Disney-related in this case.

Pinky Malinky (Nickelodeon)

Steven Spielberg shows from Warner Bros. (I don't hate them, they do have heart, I'm just not a fan)

Rugrats (Nickelodeon, 2021; The way they changed the adults just ruined the show.)

Favorite live-action shows:

30 Rock (NBC)

Parks and Recreation (NBC)

The Office (NBC)

Chicago P.D., Fire, and Med (NBC)

America's Funniest Home Videos (ABC)

Ted Lasso (Apple TV+)

Yellowstone (Paramount Network)

Least favorite live-action shows:

The Neighborhood (CBS; The audience laughing just hurts to listen to.)

ANY Disney show

Most-hyped live-action show: Lord of the Rings: Rings of Power (I might watch that sometime.)

Favorite movie: E.T. The Extra-Terrestrial (1982)

Least favorite movie: The Goonies (1985) (Yes. I'm serious. It's just like Bluey, yet it somehow stings even more. Annoying as hell. Do not watch. I cannot believe Spielberg actually pushed himself through this.)

Most-hyped movie: Knock at the Cabin (2023) (It's filmed in my home state. How hyped can this get me?)

Favorite commercial: ANY Arby's commercial (Luther Stickell advertising Roast Beef. What can you expect?)

Least favorite commercials: ANY Life Alert commercial and Apartments.com Moving On (These just hurt to watch. I don't even want to explain how much fury and depression have been surging through me.)

Favorite fast-food places:

Arby's (Try it. It is the best meat you will ever taste.)

McDonald's (I'm only putting it here because I can't think of another fast-food place.)

Taco Bell (Their Doritos taco is amazing.)

Applebee's (Their burgers and chicken taste phenomenal. They really are eatin' good in the neighborhood.)

IHOP (Pancakes taste like heaven.)

Favorite non-fast food places:

Broadway Burger Bar (Tropicana, Atlantic City; Basically Applebee's but tastes even better.)

Wawa (Not a restaurant but their ham hoagies taste good.)

Least favorite fast-food places:

Chick-fil-A (Come on, bring the hate. I don't find Chick-fil-A amazing, but if I want to go, that will be the place, but Jesus, the lines and the inflation of food these days. Holy crap!)

Chilli's (The tortilla dip was good but the food was gross.)

Golden Corral (Just disgusting.)

Panera Bread (The lines are long and the food is bad.)

KFC (Only had twice and both left feeling unsatisfied.)

Burger King (I know what you're saying, but the Whoppers don't taste good.)

Least favorite non-fast food place: Lex Mex (LBI; This is where my older brother works during the summer, so I wanted to give this one a chance, but the taco tasted funny. The corn chips (and the blue chips) were good though.)

Favorite video games:

Sea of Thieves (2018)

Minecraft (2011)

Crash Bandicoot: N' Sane Trilogy (2017)

Spyro: Reignited Trilogy (2018)

Plants vs. Zombies: Garden Warfare 2 (2016)

Forza Horizon 5 (2021)

Crossy Road (2014)

Stickman Hook

Bacon: The Game

Least favorite video games:

Plants vs. Zombies: Battle for Neighborville (2019)

PAC-MAN 256 (2016)

Most-hyped video games:

Call of Duty: Warzone II (2022)

SpongeBob SquarePants: The Cosmic Shake (2023)

Best toys:

Squishmallows (basically popularity in toy form and rivaling Bluey but it's something I can actually enjoy. I love the different kinds of animals, names, and bios. They make each toy stand out on its own.)

Fingerlings Hugs (Don't play with them a lot but they are still fun.)

Peanuts plush from Kohl's (I am a huge fan of Peanuts and love the way Kohl's designed them.)

Worst toy:

Physical dolls (never have one but do not buy. They are cursed.)

Best cartoon characters:

SpongeBob

Lincoln Loud

Gumball (post-season 1)

Robin (Teen Titans Go!)

Snoopy

Worst cartoon character:

ANY Bluey character (Bluey, Bingo, Muffin, the ADULTS, you name it. I hate them all, and hope they get sent to hell next episode.)

Favorite Animals:

Cat

Lion

Cheetah

Snake

Least favorite animals:

Dog

Ant (not an animal, but they are just constantly getting in our house. Insects can be animals right, or at least a form of life?)

Donkey

Mule

Cow (All three give off really bad smells.)

If you like anything I put in the non-favorites section, more power to you. I just might feel better if they didn't exist at all. Oh, and please refrain from scattering any information about me. It's just all from the mind and heart, and I'm purely doing it all for humor. I also apologize if there are redundant edits going around the wiki. I'm still really new to this site. Thank you for reading all this completely useless information about my sad, depressed (JK) life.

=Dream logos=

As I've said before, I have been thinking up stuff to add to the gargantuan library of movies, shows, and music all owned by the multi-trillion dollar conglomerate and movie studio, Rocket Bunny Entertainment. Rocket Bunny Entertainment, just to give you a sneak peek, was founded in 1909 by allied filmmaker Clifford "Cliff" Chandler Robun, and his sons Austin Robun-Viltfeld and Sam Robun-Penton to form "Robun Brothers, Incorporated" after the former established an uncharted studio on Sidney Blvd. in Chicago, IL. on February 16, 1905. It would eventually thrive to become one of the largest movie studios in the United States (and internationally) and is one of the "Big Seven" studios, along with 20th Century Studios (formerly 20th Century Fox from 1935 to 2020, and would revert back to the original name after one of the companies' closures in 2023), Paramount Pictures, Sony Entertainment, Universal Pictures, Warner Bros. Pictures, and Walt Disney Pictures (before it was closed down by this company in late 2023).

Some things to know about my logos:
 * I am not an expert at drawing logos on software, so this page will be imageless (even if it looks really interesting from your perspective). I don't want to make messes on MS Paint, PowerPoint, or any form of drawing software so that they will not come out looking hideous.
 * This company is most definitely not real. It is entirely made up and stored in my brain for over 3 years, and I've been waiting a long time to express the logos' looks on this wiki (I got the idea from a ripoff CLG Wiki, entitled Your Dream Logos with different page parts). Think of Marvel's What If.. but with dream logos instead of superheroes (sorry about the plagiarization, AlmightyKingPrawn). I think of this as part of an alternate Earth in my brain.
 * Due to me being completely used to the term "Editor's Note", I will say that instead of "Legacy". I will keep the "FX/SFX" version "Technique", though.
 * I will put "Author's Notes" underneath "Editor's Note" at times to show my thinking behind the logo and how I thought up the idea of it.
 * I'm not the best at coming up with original phrases, so you might read some phrases explaining logos that sound kind of familiar (if you revert back to other pages).
 * One more time. This is all fake. Do not ever place it on the wiki or make a page dedicated to dream logos. I want to stick with AVID's rules as much as I can.

=Rocket Bunny Entertainment=

Background
Rocket Bunny Entertainment's origins trace way back to February 16, 1905, when an allied filmmaker Clifford "Cliff" Chandler Robun established an uncharted studio on Sidney Blvd. in Chicago, IL. He partnered with his sons Austin Robun-Viltfeld and Samuel Robun-Penton to form "Robun Brothers, Incorporated" on September 7, 1909, making it the oldest American movie company in continuous operation, before the founding of Paramount Pictures (founded on May 8, 1912, as Famous Players Film Corporation), Universal Pictures (founded on June 8, 1912), and Warner Bros. Pictures (founded in 1918 as Warner Bros' Pictures Incorporated). Despite being non-independent after June 17, 2005, the company is an addition to the "Big Seven" studios, alongside 20th Century Studios (formerly 20th Century Fox, with it reverting back to its original name after the shutdown of its owner in 2023), Paramount Pictures, Sony Pictures, Universal Pictures, Warner Bros. Pictures, and Walt Disney Pictures (before they were closed by this company in late 2023).

After Xavier Robun, a newborn at the time of founding became 23, he joined the studio. When Cliff Chandler passed away in December 1951, the same year the company moved operations from Chicago to Hollywood, the sons took over the company independently overseeing the releases of films such as The Curse of the Devil's Roar, The Happiest Bunches, Wild Rose, Stars of a Thief, Art of the Trickster, and Ships of the Forgotten. Then, Austin died from a stroke in early 1979, shortly after the release of the critically-acclaimed Vinny Dreams, and the renaming to Rocket Bunny Entertainment. After Sam finally passed away from heart cancer in 1986, Xavier struggled to keep his films in good condition, as many box office failures from this era were making him lose control of the studio. Many executives from Universal, Paramount, Columbia, and 20th Century Fox left their respective jobs at the studios and offered to continue work on films with him.

During its time remaining independent for 96 years, Rocket Bunny Entertainment was subject to numerous distributions of films over time, such as films from 20th Century Fox, Warner Bros. Pictures, Paramount Pictures, Columbia Pictures, Walt Disney Pictures, Miramax Films, MGM, New Line Cinema, and Universal Pictures. After the overwhelming critical and commercial successes of Kernel & Rose x Harold: The Boy (20th Century Fox, 1999), 20th Century Fox eventually acquired 35% of the company on June 17, 2005, after the release of Kernel & Rose x Harold: The Boy: The Naked Mile (2005).

In 2003, within the underline of distribution deals of 20th Century Fox, Rocket Bunny's independent film division was rebranded "Rocket Bunny Pictures" for further independently made films. During that time, the company signed a distribution deal with AOL Time Warner (now Warner Bros. Discovery; through Warner Bros. Pictures and New Line Cinema), which was originally each ten films long. But after a large amount of box office successes (such as The Definition (New Line Cinema, 2004), Go Free The People (Warner Bros. Pictures, 2004), the 2005 remake of The Legendary Storyteller (Warner Bros. Pictures), The Killing Warden (Warner Bros. Pictures, 2007), and Five (New Line Cinema, 2009)), the deal was extended. In 2006, the company also signed a deal with Sony Pictures, most notably distributing films under the Columbia and TriStar labels.

Today, Rocket Bunny Entertainment is most well-known for the Kernel & Rose x Harold: The Boy films and the Harold: The Boy spin-off franchise. They are also well-known for films such as Stoner, Leftward, Run, River Run, The Shroudbreaker, The Cursed Rogue, Legendary Storyteller, Stars of a Thief, Wild Rose, Art of the Trickster, the two Morningstar films, Being The Hero, The Attack of the Bayside Towns, As We Merrily Roll Along, Off Into The Horizon, The Light That Came To Me, Vinny Dreams, among others that have excelled over $600 million in box office sales. After Xavier Robun finally passed away on January 29, 2001, Sam Robun-Penton's nephew Norbert Robun-Penton took over the company along with vice executives with an 84% stake.

After The Walt Disney Company purchased 78% of 21st Century Fox's assets in 2019 including 15% of Rocket Bunny Entertainment, Disney spun them off into a new company called "Rocket Bunny International Investments & Properties, Ltd." (RBII&P) along with the company's subsidiaries after they failed to shut them down due to mass budget overtakes. In 2023, RRII&P acquired most of Disney's assets for $212 billion and closed them down soon after, stating that Disney is not staying true to their source materials and that it is failing to make back most of its economic state from theatrical releases and their streaming service, Disney+. Then, on March 23, 2024, the company revived the 20th Century Fox, Fox Searchlight Pictures, and Blue Sky Studios names for $285.4 million, stating that the three companies in past memory are what made fans' lives complete and how the companies were very pretentious at classic films. Today, Rocket Bunny Entertainment is now renowned as the #1 Most Acclaimed Movie Studio in the world, according to Universal Privilege, Global, Life, Total Film, HAF, Weekly Us, PHF Specials, and Rocket Bunny's website.

1st Logo (November 28, 1910-October 4, 1914)
Logo: On a black curtain background, a stylized Roman column is seen with a praetorian standing on top with a blanket wrapped around her waist, around two-thirds of the column, and onto the floor. The letters "R" and "B" in Bambi Gala are seen on both sides of the logo, held up by sticks. There is a black starry background on a wall behind the column. There are also clouds below the logo. Two "Made in USA" symbols (representing interstate shields) are seen on the bottom corners of the screen. Underneath the column, there is a dais plate reading "A FILM FROM Cliff Chandler (in Cliff Chandler's signature) AND THE ROBUN FAMILY AT ROBUN BROTHERS, INCORPORATED. After a couple of seconds, the logo fades out.

Variants:
 * Depending on the film quality, the logo may vary in different shades of colors, such as, , , , , purple, or.
 * A sepia-toned variant exists.
 * A hand-drawn variant exists, mainly used as an end card for some of the company's films. The "Made in USA" symbols are gone.
 * A version of the hand-drawn variant also exists where there is text reading "IN CONJUNCTION WITH THE TRANS-ATLANTIC FILM COMPANY and DOMINICK DeVOIS" (Another silent filmmaker from the early 1910s).
 * An alternate version exists where the camera is slightly off-angle and looks like it's facing up. As a result, a toplight can barely be seen. This may be due to bad camera work.
 * An off-center version is spotted where the logo is slightly tilted to the left. The "Made in USA" symbols are intact, but one of them is slightly cut off from the tilt as a result.
 * The logo can be seen in both dark and light contrasts.
 * As you can judge, the "Made in USA" symbols can either be visible or gone entirely. This can coincide with films that are not filmed in the United States, such as The Secret of Bao (filmed in China) and The Eastern Shore (filmed in Japan), as the brothers were constantly migrating during this time.

Trivia:
 * According to a 1969 interview with Xavier Robun (who would become CEO of the company from 1940-1980), the entire statue was made out of a model, built from linoliumated stone by three people (two sculptors Dane Heresch and Gertrude M. Lopski Sr., and senior assistant James Kolbert Hannick). The starry background was a painting made by artist Reverend Hewentroglytz, and the clouds at the bottom were made out of thin cotton (due to financial troubles at the time). The "R" and "B" letters are basically plastic models taped to plastic sticks inserted into holes in the base. Overall, he says the entire company logo represents a new elegant era of wonderful films and stories waiting to be told and is a symbolization of how wonderfully the company can grow.
 * The praetorian in the logo is actress Janie Baltman, one of the very first female actresses most notable for her role in the movie Lost and Found (1893), a film Cliff Chandler made before his sons formed the company 12 years later.
 * According to one of the studio's executives, James Losner, Sam Robun pitched several ideas for the company's opening logo, such as a three-soldier statue or the faces of Cliff, Sam, and Austin engraved on a monolith. Due to the latter being nearly impossible to engrave onto the silver, they ultimately settled with the statue of Pnevoma, a goddess to which the life forms are summoned to her through the call she blows at the top of the Olympian Column.

Technique: None, unless you want to count the fade-ins/fade-outs. This logo is entirely live-action.

Music/Sounds: None or the closing theme of the film.

Availability: Extremely rare. Most of their silent films of this time were destroyed, while some went into public domain and have resurfaced without this logo on the prints, or being plastered with the Rocket Bunny Classics logo. This is only known to appear on The Cycle, which is the only known silent film with this logo that is still watchable on YouTube or on Rocket Bunny networks. This can also be seen on The Greek, The Relative, The Mirage, The Sleep, The Footpath, and The Sundial, which are all in the public domain prints (although you might need to look for older prints, as newer ones have this logo cut or plastered).

Editor's Note: It's a good logo and a solid effort for the 1910s, with the statue looking gorgeous by today's standards. The statue would later go on to be used in all of the Robun Brothers' company logos until 1979, when the name changed to Rocket Bunny Entertainment, and still remains one of the most iconic and recognizable parts of old movie studios.

Author's Note: I took logo/variant ideas from the 1912 Universal Pictures logo and the Oz Film Company logos. I know I'm plagiarizing, but look back at one of my rules. I'm not the best at coming up with original stuff, okay?

2nd Logo (October 17, 1914-September 1915?)
Logo: Same concept as before, but the logo is redone. The column is more shinier, the blanket is more wavier and curlier, the star background is different, the clouds are thicker (the actual cloud cotton they had used), and the "R" and "B" letters are more brighter and shinier. The blanket also appears to be a brighter shade. There is text saying "ROBUN BROTHERS INCORPORATED" in a Stencil font shaped like an arc above the statue. The logo is also shifted up a little bit to make room for the text "THE TRANS-ATLANTIC FILM CO." in Regular Gala, "THE HURON STUDIOS" in Noto Sans and "Robun, Chicago, IL" in Modern Sans below the statue. The first line seems to be in an upward arc while the second one looks like it is condensing with the arc styles of the first and third lines.

Technique: None, except for the fade-in/fade-outs.

Music/Sounds: None.

Availability: Ultra rare. Like the last logo, this is hard to come across because most of their silent films of this time period were destroyed, while others went into public domain and have recreated titles using the Rocket Bunny Classics logo in place of it. This is only revealed to be on TCM prints of The House Card and RB Network prints of The Burrowers. It might be seen on other films, such as The Hail Mary and The Modern Day, but many public domain prints have this logo plastered. This was last known to be seen on How You Have, but the movie has not been re-ran in decades.

Author's Note: Once again, I took references from Universal Pictures' old logos.

3rd Logo (1914?-October 1915?)
Logo: On a black and checkerboard background, we see the Robun Brothers print logo (the statue with the "R" and "B" letters on both sides and, once again, in Bambi Gala) in a circle in the center of the screen. The black letters "ROBUN BROTHERS INCORPORATED" in Stencil are seen in an arch above it (like the last logo), while the letters "THE TRANS-ATLANTIC FILM CO." in Moderna are seen below with "4922 Sidney Blvd., Robun, Chicago, IL." in Noto Sans.

Technique: None, except for the fade-in/fade-outs.

Music/Sounds: None.

Availability: Long extinct. The only known appearance of this logo is on The Adorable Detested Angel, but many prints of the film, aside from the RB Network airing, edit this logo out. However, RB Network hasn't re-ran the movie in decades. While there used to be footage of the logo online, it is now deleted and is only preserved in the minds of AVID editors.

Editor's Note: None.

Author's Note: I'm just sticking with many Universal references, but I promise I will try do do something original next.

4th Logo (December 1915?-December 1919)
Logo: On a background with hills, a light brightens over the horizon and illuminates a cloudy sky. After that, the Robun Brothers statue zooms up from it, making the camera pan up so that the hills aren't visible. The "R" and "B" letters zoom up from the bottom and settle on both sides of the statue. Then, the text "ROBUN BROTHERS, INCORPORATED" in a thick Sans fades in on top, followed by the text "CLASSICS of the SCREEN" in Noto Sans, and "4922 Sidney Blvd., Chicago, IL." in Moderna.

Variant: A color version was spotted on a print of The Lampooner, where the hills are, the sky is sky blue and the statue is with the text being.

Technique: All live-action. Despite being made around 1915, this logo looks surprisingly good.

Music/Sounds: None or the opening/closing theme of the film.

Music/Sounds Variant: A print of The Lonely Angel uses the Richard Gafferty fanfare from the next logo, despite it premiering twelve years later, due to sloppy plastering.

Availability: More common than its predecessors, but still very rare. This can be spotted on some movies from the time if aired on TCM and RB Network, such as The Private War and The Life Leisure. Many have rumored for this logo to be on the movie The Regular Time, but all prints (including RB Network airings) remove it. This is also not seen on the Rocket Bunny Silents DVD boxset which contains movies of the era such as The Hard Way, The Dead Light, or The Play, as they are all replaced with the Rocket Bunny Classics logo. The only times this logo is shown on HBO or other silent channels is The Lampooner, The Lonely Angel, The Private War, and The Life Leisure.

Editor's Note: This logo has a memorable concept from silent film fans, which would later be reanimated for the next logo below.

Author's Note: While the term "Classics of the Screen" may sound similar to Warner Bros. Pictures' 1925 logo, this logo was actually made before that company's first logo premiered, so just take my word for it. I also used this for the next logo as well.

5th Logo (1920-August 16, 1931)
Logo: Basically a redone version of the previous logo, and now done with more modern animation. The hill background looks more realistic and has trees on it instead of field bushes, the sky now has an alto-cumulus look to it, amd the statue rises up from the hills slower (in a more gradual fashion). The "ROBUN BROTHERS" text is now in a completely different font (called "Gazooka"), with "CLASSICS of the SCREEN" in Noto Sans as a result. A copyright notice is seen below as the text finishes animating. The background then fades out, along with the logo itself a few seconds later.

Closing Logos:
 * On the final scene of the silent film or on an abstract background, such as a shot of hessian or a plaid background, the text "The End" in a fancy script font facing diagonally is seen on the right side of the screen, along with the Robun Brothers print logo in a circle below that. The text "THIS HAS BEEN A ROBUN BROTHERS CLASSIC OF THE SCREEN" is seen below the print logo along with copyright notices.
 * On some films, when the background is white, the text and print logo will become black instead.

Technique: Motion-controlled 2D animation.

Music/Sounds: None or the opening/closing theme of the movie. On If I Gave The World My Soul and Face Value, a dark-sounding organ theme played by Gustov Nevvemhebett is heard instead.

Availability: Rare, bordering on very rare. Seen on its films from the time, such as The Last Act, Have Me Back, Silence from the Corner, and The Running Night Hour, but in some cases, the film begins right at its opening credits. Sometimes, the logo is plastered with a newer one instead. This logo first appeared on Can You Send Me a Letter? and made it's final appearance on Love Is A Fickle Thing.

Editor's Note: None.

6th Logo (December 1925?-1928?, August 13, 1930)
Logo: On a stony background, we see a modified version of the column logo. The praetorian's pose is slightly different, the lines on the column are not aligned, the blanket just ends instead of laying itself on the floor, and the everything is misaligned and looks more cartoonish. The "R" and "B" text is also different, with the text being in Liotta instead of Bambi Gala. The text "CLASSICS of the SCREEN" in Noto Sans and "4922 Sidney Blvd., Chicago, IL." in Moderna is seen below that.

Variant: A color version exists where everything is tinted in (particularly the background). This is only known to appear on a Movies! airing of That One Yellow Kid.

Technique: None.

Music/Sounds: None or the opening/closing theme of the movie.

Availability: Ultra rare/near extinction. Was used in tandem with the previous logo, but many prints have this logo plastered or cut entirely. Once again, we can't count on RB Network airing movies with this logo anytime soon. Footage of the logo was seen on a TCM airing of The Pond Full of Lucky Ducks, but TCM hasn't re-ran the movie in years. The only known unedited appearance of this logo is on the RB Network print of The Stain.
 * This logo strangely made a re-appearance on the film Loitering, released in 1930.

Editor's Note: The more cartoonish look of this logo makes this one kind of an eyesore, especially with the misaligned look of the statue.

7th Logo (September 28, 1931-February 11, 1949, June 29, 1954, May 22, 1985, April 8, 1999, September 7, 2009 (100th Anniversary))
Logo: On a black background, a golden rumpy line draws in separately. After this, the logo brightens to reveal a light shining over the same hill background from the previous logo (although in a slightly sharper resolution than usual). Then, the animation of the 1920 logo animates as usual, except with a few changes:
 * 1. The sky background is altered again (this time resembling more of a cirrocumulus type of sky).
 * 2. The statue is now more glossy-looking, looking like it is made out of brass. It is also no longer a live-action model, with it being noticeably static as it zooms in.
 * 3. The "R" and "B" letters are glossier and look enhanced.

After this, the text "ROBUN BROTHERS PRESENT" (once again, in Gazooka) in an arc fades in above the statue, along with "CLASSICS of the SCREEN" in Noto Sans (like the previous three logos). Copyright notices fade in on the hills, and then the logo either fades out or to the first visual of the film.

Closing Logo: Superimposed over the ending scene of the film or on an abstract background, the text "The End" in a diagonal, fancy script font is seen on the left side of the screen. On the bottom-right corner is the Robun Brothers print logo (this time without the circle), with the text "A ROBUN BROTHERS CLASSIC OF THE SCREEN" on the bottom of the screen beside that.

Variants:
 * For color versions, the logo's color palette can vary, depending on film deterioration. For almost all of Robun Brothers' color releases of this time, the hills are colored Charleston green, the sky is sky blue, and the statue and text are golden yellow. For The Titanium Tour, the 1994 VHS of Forest of the Subconscious and the 1995 VHS of The Winter Garden, the hills are while the sky is, and the statue is . For Bottlebrush Buckeye and Olympia Hill, as well as the 1999 VHS of Medium Heights and the 2004 20th Century Fox Home Entertainment release of Solemn, the hills are  while the sky is a slight dark blue, and the statue and text being.
 * Certain prints of September Nights have the logo in a slight purple tint.
 * An RB Network airing of Whitecap has the logo in a slight maroon tint.
 * A byline saying "A DIVISION OF THE ROBUN BROTHERS ESTATE" is seen below the statue and above "CLASSICS of the SCREEN".
 * Sometimes, a notice for the Trans-Atlantic Studios or National Film Company can be seen below the logo. This can coincide with films that have been made in association with those companies from 1935-1949.
 * During the last few years of this logo's life, a widescreen version was spotted, where the "R" and "B" letters are farther apart from each other and bigger than usual.
 * On the movie What Do You Think, the byline and the copyright notices are removed.
 * On German prints of Beyond the Doubt, Bonding and Breaking and Korean Stewartia, the chyroned text "EIN ROBUN BROTHERS KLASSIKER DER LEINWAND" (A Robun Brothers Classic of the Screen) is pasted over the statue.

Closing Logo Variants:
 * Sometimes, due to the company's deals between the Trans-Atlantic Film Studio and the National Film Company, the copyright notice would be extended to "A ROBUN BROTHERS/TRANS-ATLANTIC CLASSIC OF THE SCREEN" or "A ROBUN BROTHERS/NATIONAL CLASSIC OF THE SCREEN" instead.
 * In some cases, the "ROBUN BROTHERS" reference is removed, leaving only the "TRANS-ATLANTIC" or "NATIONAL" notices, with the Robun Brothers bug intact.
 * On some films, such as Castor Aralia, Winged Elm, Lucifer of Fredonia, Potpourri, The Deciduous Conifer, and Confrontational Vulnerability, the "The End" text is in a more simpler script font.
 * On Wisteria Pergolia and Crossing Bridges, the text is in Liotta (like the previous logo).
 * On A Special Kind of Man, the text (including the copyright notices) is in Century Gothic.
 * In very rare cases, the Robun Brothers statue bug is the same one used in the previous logo.

Technique: Motion-controlled animation.

Music/Sounds: None or the opening theme of the film. Starting with Stronger, released on December 30, 1931, a powerful, bombastic fanfare composed by the late Richard Gafferty is heard. A drumroll is heard first, which segues into a proud-sounding fanfare made with trumpets, along with shrill violin notes and drum hits.

Music/Sounds Variants:
 * On films such as Between Essence and Existence, Dana, The Persian Ironwood, Late Night Sex, Love Bullet, and the 1996 VHS of Please, Gertrude, the fanfare is in a different arrangement, also composed by Richard Gafferty. The drumroll is much louder, the brass section is more prominent, the violin notes are more shrill, and there is louder percussion during the final note.