PolyGram Pictures

Background
PolyGram Pictures was originally formed in 1975 by producer Peter Guber after he left Columbia Pictures as Filmworks, which was eventually merged with Casablanca Records during the production of The Deep and renamed it to Casablanca Records & Filmworks. During that time, the production company was affiliated with Columbia Pictures. In 1977, PolyGram bought out 50% of Casablanca Records & Filmworks, and it was renamed in 1980 to PolyGram Pictures after the PolyGram Records label bought out 50% of the company. Universal Pictures would handle U.S. distribution for a majority of their films through the pact it signed in 1979 (with the exceptions of Wes Craven's Deadly Blessing, Split Image and Flashdance, which were distributed by United Artists, Orion Pictures and Paramount Pictures respectively) while Producers Sales Organization would handle distribution outside the US. In 1982, Peters and Guber left PolyGram to form The Guber-Peters Company which would lead to the deactivation of PolyGram Pictures a year later in 1983. Two years later in 1985, MCA Home Video sold the video rights to the PolyGram Pictures library to Vestron Video as a way of cutting losses due to most of these films losing money at the box office. However, the home video rights to Deadly Blessing would go to Embassy Home Entertainment while the rights to Flashdance would remain with Paramount. Universal would eventually regain the distribution rights to some of the PolyGram films they distributed, which included Endless Love, An American Werewolf in London and Missing, among others. Lionsgate holds streaming and TV rights to the PolyGram Pictures-era films (except Flashdance) such as The Pursuit of D.B. Cooper, King of the Mountain and Six Weeks, under license from Hearst Entertainment, which previously had the TV rights to these films via King Features, Lionsgate eventually gained the TV/streaming rights to Hearst's library in 2015.

1st Logo (May 18-30, 1980)
Logo: We see the text "PolyGram Pictures" in. There are stars lined up underneath the name.

Variant: A print version exists at the end of The Hollywood Knights.

Technique: None.

Music/Sounds: The closing theme of the movie.

Availability: Extremely rare. Only known to be seen on the 1980 ABC TV movie Mysteries of the Sea, which is very hard to come by as it seems to not have been reran in years and the recording that's available may be from the only airing the film had. The print version remains intact at the end of The Hollywood Knights.

2nd Logo (April 4, 1981-April 14, 1982)
Logo: On a black background, we see stars going up, then down in a curve (like the 1980 Telepictures Corporation logo), revealing the text:

PolyGram Pictures

The stars are in a line under the name.

Variants:
 * An early variant features the stars and name wiping, without any animation at all.
 * On An American Werewolf in London, the logo cuts to black instead of fading to black at the end.

Technique: Scanimate effects.

Music/Sounds: Usually none or the opening theme of the film.

Availability:
 * Appears on An American Werewolf in London, Endless Love, King of the Mountain and Deadly Blessing (preceded by the 1976 United Artists Pictures logo).
 * Also seen on the 2013 Shout! Factory DVD and Blu-Ray release of the latter.
 * It also does not appear on Flashdance (1983) and Missing (1982) as well (which PolyGram co-produced with Paramount Pictures and Universal Pictures, respecitvely).

3rd Logo (November 13, 1981)
Logo: On a background of, and yellow stripes, we see the words "POLYGRAM" in a Prisma-like font near the middle of the screen.

Variant: An open-matte version exists on VHS prints of the film.

Technique: None.

Music/Sounds: None.

Availability: Very rare.
 * The only known film to use this logo is The Pursuit of D.B. Cooper.
 * Preserved on current prints (including the future Kino Lorber Blu-Ray release) and the 1982 MCA Videocassette VHS release of said movie.